Neither offer the recording flexibility of the M3 but would be better on stage vocals. Battery and phantom powering. Struggles to cut through on stage vocals. The maximum SPL is given as 142dB for one percent distortion (5dB better than the AKG mic). The obvious moving-coil contenders at this price would be the ever-faithful Shure SM58 and AKG D3800 vocal mics. The M3 should be able to cope with close vocals, electric instrument amps, and even drum and overhead duties, without cracking up. Q. cons. The middle switch position selects the normal operating mode, while the top position introduces a second-order (12dB/octave) high-pass filter, turning over at 80Hz, to remove rumbles and handling noise or to help thin out a bass-heavy source. The RØDE M3 is a highly versatile 1/2' condenser microphone powered by 9V battery or phantom power. The back-electret capsule doesn't require power, but the internal impedance converter can be driven from standard phantom power or an internal 9V PP3 battery. Gentle presence peak for subtle air. It will tolerate phantom power between 24 and 48V quite happily, and the battery is not used if phantom power is detected on the connecting cable. The M3 is supplied in a surprisingly large, but sturdy, plastic carry case, complete with a substantial stand clip adaptor and a foam windshield — and a 10-year guarantee! And it would certainly be an ideal first microphone for anyone setting up a new project studio on a tight budget, but with the need to record a wide range of sources in reasonable quality. Hi all, I'm gonna be recording an album shortly in my "on a shoestring" home studio, and need to get a mic for vocals. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. On acoustic instruments the M3 works very well indeed, turning in nice results on acoustic guitars and clarinet, both tracks needing almost nothing in the way of EQ at the mixing stage, which I took as a good sign. The polar response is a tidy end-fire fixed-cardioid pattern, and the mic is intended for general-purpose applications, both on stage and in the studio, where its wide bandwidth and flexible powering options make it supremely versatile. However, I wouldn't recommend using M3s for distant stereo miking, as I think the self-noise and low output would result in a relatively noisy recording. summary This is clearly a mic designed to withstand a lifetime of abuse. These are useful facilities, but it is madness not to have any markings at all. I couldn't test battery life as such, but I inserted a partly used PP3 and it was still going happily after being left on for the best part of a week. Unusually long. The M3 feels robust, and the supplied stand adaptor looks unbreakable. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The high-end resonances inherent in most electrostatic mics are well tamed in the M3, yet it still captures lots of transient detail and clarity. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. With the 20dB pad switched in I had no problems with overload distortion when mounted right above the snare, and the sound was full-bodied with plenty of snare crack and detail. I ran the mic on phantom, from an installed battery, and with phantom when the battery was installed... and it worked perfectly on each occasion. pros. When the switch is moved out of this lowest position, the LED flashes briefly to indicate good battery condition (if in use), or comes on permanently if the battery voltage is getting low. Rode M3 for Vocals? I am no expert when it comes to recording, or playing live, but this microphone is perfect for my needs. Anyone knows of a comprehensive guide for Midas M32r Li... 24 hr Omnisphere pack deal + FabFilter, Best Service, R... Extended frequency response with smooth extremes. RØDE University - Recording Vocals with the RØDE M3 - YouTube Re: The All-New Behringer Keyboards 'n' Stuff Thread, The All-New Behringer Keyboards 'n' Stuff Thread. Smooth-sounding, with good extension at both ends of the spectrum, and the ability to cope with high SPLs, this is a very flexible mic, aided further by its ability to run on an internal 9V battery or phantom power. In fact, the bottom position switches the mic off if you are using the internal battery option, and mutes the mic's output if it is being phantom-powered. This switch introduces a pad between the capsule and impedance converter, offering 0, 10, or 20dB of attenuation, which means that the mic can be used very close to very loud sources. This neat little mic is incredibly versatile - and it sounds a lot more expensive than it actually is. A place where learning isn't about monotone lectures and long essays. The lower half of the mic body can be unscrewed to access the internal battery compartment, and doing so also reveals the strength of the metal body. The M3 is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter … Australian company Rode have a more-bang-for-the-buck reputation of turning out quality microphones at affordable prices. There are several established 'jack of all trades' microphones around that will always get the job done in a workmanlike manner. Rode M3 Versatile End-Address Condenser Microphone The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. The mic measures 225mm long (nearly nine inches) and is 33mm in diameter (just over an inch), which is longer than most, although slightly shorter than the NT3. Their latest, the M3 (a small-diaphragm cardioid response, end-fire condenser), … Rode have been in the electronics business in Australia since the late 1960s, but the company became better known around the world after 1998, when they started producing a cost-effective range of microphones. The technical specifications are good for this kind of mic at this kind of price. Web site designed & maintained by PB Associates & SOS. It is substantially flat between 100Hz and 4kHz, above which there are a couple of mild 2dB peaks before a smooth high-end roll-off to -3dB at 20kHz. The self-noise figure is given as 21dBA, which is identical to the C1000S and good for a 0.75-inch electret design (the NT3 has a figure of 16dBA). To be honest, it sounds considerably more expensive than it actually is — a fairly common theme with Rode mics! The mic weighs 390g and the body is painted in a non-reflective satin grey finish, with the top 35mm being a heavy-gauge wire mesh over foam to protect the capsule. The first thing to strike you about the M3 is its length. Session Notes: Magician's Nephew | Big Drum Sound. The most obvious contender, especially given the dual powering facility, is the AKG C1000S. In fact, the response seems smoother than the Rode NT5 through the presence region, and only slightly less full at the bottom end. Fortunately, my drummer had a good aim, but I'm sure the mic would survive close encounters of the sticky kind, given the chunky metal construction. Hidden away just above the battery compartment inside the mic is another three-position slide switch. The latest offering is a new multi-purpose electret cardioid design, called the M3 — essentially a cardioid electret version of the hypercardioid NT3 (which has a true capacitor capsule). Mastering Essentials Part 3 - How loud should I master? The good news is that this one is labelled. OK, so it won't cut through on stage like a Shure SM58 will (it doesn't have that classic projection) and unless the filter is switched in it can sound rather too full at times, but in the studio that smoothness is a bonus. Why Are Some A-B Stereo Arrays Angled Outwards?


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