Décidément, il n'y a que les imbéciles qui ne changent pas d'avis. overall the sound was excellent. Since Neumann still fully supports and services the KM84, I would not be afraid to buy a used one as there is nothing that could go wrong with one that could not be fixed. Unless you posted it somewhere and I missed it. The reason I say that is I have a pair of vintage Neumann KM74 mics, which have the same capsule as the KM84 BUT NO TRANSFORMER (the T powered Nuemann FET 70's series mics from the 60's - 70's were transformerless) and they sound almost identical to the KM84 but very different than the KM184. km 84, km84. Which one do you like better? The KM184 were just as expected, but as compared (and as my enginner friend mentioned four years ago) to the KM84's the treble seemed a bit harder. Les capsules du KM184 et KM84 sont donc bien 100% identique. No tweaking needed at all. you tell us, your the one doing the shootout. 184 definitely is bright. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Remote Possibilities in Location Recording & Production, http://www.soundonsound.com/sos/apr0...les/mgm300.htm, Pictures Of Mic'ed Up Drum Kits In The Studio. Given them a little distance off the source and they really shine. We take an all original, mint condition Neumann KM84 and shoot it out directly with the KM184, AMI F44 and Peluso P-84. Hi all. The KM84 on the other hand is a great sounding mic and a worthy tool to have in your mic cabinet. I'll never understand why they stopped putting transformers in these, and most of their newer mics. They also have a different way of treating the low end that also sounds thin, and lacking definition. I didn’t get back to sleep until 7 a.m. before having to wake back up at 8. I'm interested in what all of you think. I find it much too bright and sizzley. The problem I have with the KM 84 is...THEY DON'T MAKE THEM ANYMORE. However, for recording music, the KM84 is a better mic on most sources (warmer and better balanced). The extra brightness (compared to the KM84) is really useful in understanding dialogue and giving you a little more "reach." Un neumann km 84 d'occasion vaut-il deux neumann km184 neufs? At the moment I use a Beyerdynamic MC930, but I've gotten good results from a Neumann KM84 (that's a mic they don't make any longer), Josephson C42, AKG 451, Octava, and probably some others I'm forgetting. There are a lot out there that are worth trying. Your posts are much appreciated. Based on the same capsule design and size as the KM 84, the KM 184 is a perfect addition to any home or professional recording … A friend of mine bought a matched pair of 012's and I decided to compare one of them with a Neumann km184, used dbx preamps with the same gain settings into a digi io192. You need to be a lot farther from the source than with most other mics. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Recorded sources are a … At the right distance, they don't sound "closed" anymore. In the meantime, used my 184's as drum OH's last night, spaced just right: excellent sound. Seul la modularité et le montage mécanique (très grande tige fragile pour le … They are also small and non-reflective. The difference has much more to do with the capsule and other electronics than it does with the transformer (or lack of transformer).

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