I actually found this particular passage to be the most difficult in the solo. He was just a completely different kind of player.”. Really welding was my talent, I think, but I sort of swished it aside!”, I will explore the music of Charlie Christian at a later date. Larry Coryell was a devout Wes transcriber. Create a free website or blog at WordPress.com. My dad bought an album, an EP on riverside records, and Melvin Rhine was playing organ and bass with his feet. …..For me, it was an honor to have my name associated in this way with my idol’s. �x�v��n�C�܈�p#��mO� So I laid my pick down on the amplifier and just fiddled around with the thumb. One of the guitarists who was most influenced by Wes Montgomery was Pat Martino. In fact, it is literally impossible to fully notate a Wes Montgomery solo. !Nicely done!! I played in octaves every chance I possibly could. Change ), You are commenting using your Twitter account. Those octaves, a signature Montgomery technique, draw the listener’s focus to the melody, which Frisell came to see as the “backbone of music.”Now a master melodist himself, Frisell says Montgomery’s music drove him “to find out what jazz was.” In the summer of 1968, while Frisell was devouring as much Montgomery as he could find, the Newport Jazz Festival launched a tour that included the guitar virtuoso.”. In making this video, I played the solo about 25 times. � ��g��K���~Ii��\~)Јߺ�9�Z�@~A��E��,���X7��'5 Change ), You are commenting using your Google account. ) It was a guitar and amplifier, you know? In of writing this article, I decided to engage in a little historical research regarding the impact Wes Montgomery’s Legacy has had on today’s great guitarists. Finally, pay close attention to the dynamic range and accents inside each phrase. I was extremely happy to finally nail it because it was the one that forced me to rerecord this thing over and over again. The more I learnt about it, I found out that less guys were using their thumbs and I began to get a little frightened!”. He was one of the first guitarists to play with a lot of rhythm, which had a big influence on me because I was very rhythm oriented. {��C�Ag;ƭ8�l�$�x5?�r�C�� ��)�Hò�n�0,M��2���oI���`/���@�@>1�7/��������J���8�}�Ii8ci82��ͤ�̿�7�q���Y�QͿ�ZK�O�$�^����o�?�L��g���3?�������p��O�������������������ӗ7�����^��?~�L���o��6�8�#�����3��mx6&;�)܆'Ns�S��w@�8�h�e�y��c�h/�Z#��M1r-̀)���͇,I�@�� ˋ; �6H3����A0��� For me, he was the first crossover artist, because he played tremendous bebop and could also work within Latin grooves and even with what was becoming rock and roll. It was like, “Wow! ?��˿_~+���/f����.���uCr����/����_������]�c���1�M Martino recorded not one but two tributes to Wes Montgomery. Unfortunately, the video was long winded, lengthily, and at times distracted. I couldn’t believe he ordered only orange juice.”, “Later on, Wes and I talked quite a bit when we bumped into each other on the road. �S. -Tone, People I've studied with: So, to know him was a privilege. Do not rake through this triplet! endobj If my performance were transcribed, it would look correct on a piece of paper. This is the first of many Wes Montgomery solos I will be demonstrating. /AIS false Metheny Bluntly states: “I learned to play listening to Wes Montgomery’s Smokin’ At The Half Note.”. When I’d want him to explain what he had just played, he’d say, ‘I don’t know anything about these names you’re asking me about. With that being said, I have decided to dissect those portions of the solo that I find need the most attention. 8-12: In measure 8 the phrase begins at a subtle volume. /Resources 14 0 R He sounds like Wes Montgomery!,” according to the average casual Kansas City jazz fan”. 12 0 obj x��}]�,7n������EQ��`���Y`�]``��0p6 �s�����_~���T���ҹ�o��헿^��?. Your analysis of his various methods is a true delight. Lesson #2: Pride and Joy intro (Stevie Ray Vaughan), Wes Montgomery’s solo on “Billie’s Bounce” from, Triad Pairs “5 Minutes or Less” Episode #4, Vic Juris-“Mel Bay presents Modern Chords: Advanced Harmony for Guitar”. I actually remember Pat Martino playing an entire Wes Montgomery solo on his guitar for me during a lesson. /ColorSpace << Of course, I would never suggest that a player should make a habit of blatantly lifting Wes’s lines and rehashing them in their own solos. >> 30-33: I couldn’t really hear what was going on clearly in this portion of the solo until I slowed it down quite a bit. d���7�����xC�����z���?�+ Remler’s most famous quote is a direct allusion to Wes Montgomery: “I may look like a nice jewish girl but inside me there is a big black guy with a huge thumb.”. 2 \( C \) 2 0 1 0 N o k i a C o r p o r a t i o n a n d / o r i t s s u b s i d i a r y \( - i e s \)) Probably a thousand cats are using their thumbs – only they’re not in Indianapolis! Martino recorded not one but two tributes to Wes Montgomery. 0 . “When I really got interested in the guitar, I had a big, big hero, and that was Wes Montgomery. 14 0 obj In conclusion, I would like to point out to that there is father to Wes Montgomery’s style. In order to accurately deal with Wes Montgomery’s technique and rhythmic precision, one needs a format much larger than what is available. F7 B 7 B 7 B F7 Gm7 C7 F7 C7 F7 B 7 B F7 B 7 F7 Am7 D7 9 Gm7 C7 F7 D7 9 Gm7 C7 A o Billie's Bounce o 1 Now's The Time Charlie Parker Charlie Parker. /Filter /FlateDecode In his autobiography he actually relates the story of how he met Wes Montgomery and played his solo on “West Coast Blues” for him note for note. World Class Studios I have recorded in and/or participated in sessions at: I found the task quite easy to accomplish. He had a better pocket than anyone; his solos were a kind of rhythmic/melodic lead playing that always had incredible content. A lot of greetings (congratulations?!) Eventually I got an expectable take and I was one step closer to reaching some of my personal goals as a musician. /XObject << In several passages, Wes employs a series of Pull-offs and hammer-ons. /Parent 3 0 R Muchisimas Felicitaciones desde Argentina!!! The 4-note phrase (A-F and G-Eb) in measure 15 can seem difficult at first but is easily accomplished by using only the first two fingers. The pick up note in measure 9 begins a phrase of extremely straight 8th notes. very well done indeed! That’s not how I play. The student listened to a recording of the music, picked out the tune on his guitar, and immediately became hooked. He was burning. Larry Coryell was a devout Wes transcriber. One of the guitarists who was most influenced by Wes Montgomery was Pat Martino. 5 0 obj endobj Some of the Producers/engineers I have worked with include: stream << Waltz Audio Billies Bounce (B flat) Billie's Bounce SIDE 1, TRACK 1 by CHARLIE PARKER Dedicated to Billy Shaw) John Scofield is quite right in saying the following regarding Wes Montgomery: “He was more as an interpreter of jazz, but on the guitar. << Here, he talks about Wes Montgomery’s impact on modern jazz guitar: “As far as modern players are concerned, especially from the sixties when everything seemed to catch up with itself and solidify into modern-day jazz, Wes would have to be the most influential figure in the history of jazz guitar. Download and print in PDF or MIDI free sheet music for Billie´s Bounce - George Benson Solo Transcription by Benson, George arranged by hugogoncalves for Piano (Solo) Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I actually played with Larry one time and the only thing he said to me was “well, you sound pretty good. Billie’s Bounce – Charlie Parker C Billie’s Bounce – Charlie Parker Bb . Soon they started complaining pretty heavy. I just didn’t realize that I had to develop my pick technique, too. Change ), You are commenting using your Facebook account. Mark Donahue (Thurston Mooore, Yo-Yo Ma, Kronos Quartet) George Benson is often referred to successor of Wes Montgomery. Archie Shepp, Pat Martino, Mick Goodrick, Jim Kelly, Larry Baoine, and Bruce Bartlett. As an upcoming guitarist, Benson had the privilege of learning and interacting with  Wes Montgomery directly: “West Montgomery was a very good friend. Originally, I recorded a step-by-step analysis for my video. Pay close attention the beat placement off each note in this phrase.

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